现今高速发展的信息时代，社会日新月异，“效率至上”成了人人追求的准则。我们的生活像是积木堆积建成，更多的模块化、简便化使人们与自由和温情的生活渐行渐远。城市繁华喧闹，车辆川流不息，人们焦急且步履匆匆。在追赶时效的今日，我们赢得了时间却失去了生活。动中取静、快中取慢、张弛有度才是我们更应该选择的生活方式，也是我们在这快节奏下更需要的慢生活。
Nowadays, as the society changes and the information age gains momentum, people tend to put efficiency first. The way of our life is like building blocks, which is more modular. Simplicity makes people go away from freedom and passion. In the bustling city, people feel anxious and hurried day in and day out. People seems to put efficiency first now. We have to admit that we indeed gain time but lost life. A efficient but pleasurable way of life seem to be the one that worth of pursuing. Yes, this is the slow life that we also need most under the current situation.
作为设计师的我们，在构建与向空间设计工作室的初期，就将如何缩短团队在格子间工作的距离感的需求前置。给予大家更多民主、自由、开放的空间，给顾客呈现一个充满温情惬意又有趣味互动的环境成为我们的主题。
As designers, we will pay more attention to the need of how to shorten the sense of distance in the team at the beginning of the construction and orientation of the space design studio. To give customers more democratic, free and open space, make them feel warm and comfortable here remain our theme.
The studio is located in a residential and commercial office building. When we open the door, the half-length art installation Rain, created by Ukrainian artist Nazar Bili jumps into our sight first. Those who look up at the sky can converse with visitors from their heart, enjoy raindrops falling on their faces when they live alone, and revel in the power and beauty of nature. The design of the art porch is conducive to slow down the rhythm of the space and increase privacy. The designof circular hole extends our view to the scenery outside the window and brings in the light from the window.
Communication represents an invisible bridge set up between people. It is also an emotional bond that make us closer. Communication is the beginning of kindness. Where there is a little more communication, there is a little more warmth, understanding, and beauty. The design industry is also inseparable from communication. We transform the original kitchen area into a communication area, and transform the original cuboid smoke exhaust pipe into a circular column bearing the support point on one side of the negotiation table. The long table provides a more convenient form of face-to-face communication for people. Although the space is limited, we will extend the wall area along the trend, making full use of the combination of steel plate and wall, thus completely presenting a whole area of material selection and collocation.
在生活中，不同环境下的水带给人们的感触也大不相同。可以是朦胧的、清晰地、冰冷的、温暖的、透明的、彩色的、喧闹的、寂静的……水吧区水池上方水纹压花玻璃的巧妙运用，在保障卫生间隐私和透明采光的同时，我们透过水纹压花玻璃的纹理，观察到卫生间内侧多彩的旋转吊挂艺术装置，隐约模拟了降雨时车窗外微妙的感觉，巧妙地激发了访者不同的感官体验。
In life, water in different environments gives people different feelings. Water can be hazy, clear, cold, warm, transparent, as well as colorful, noisy and silent. Water embossed glass above the pool in the water bar can ensure the privacy and transparent lighting of the toilet on the one hand, and provides a way for people to observe the colorful rotating hanging art installation in the inside of the toilet through the texture of water patterned glass on the other. It simulates the subtle feeling of rain outside the car window, subtly stimulating visitors' different sensory experience.
轻盈 Lithe
Less is more，当密斯·凡德罗就任包豪斯学院校长时，他正式提出了这一主张。少即是多的设计理念深入广泛地影响着后世的设计。我们将主体办公区域的办公桌，使用了单层钢板结构的呈现形式。删繁就简，没有无中生有的变化和不必要的装饰，保留核心元素并将其提炼升华，只留轻灵通透的办公桌和办公用品。
It’s known that less is more. When Mies Van Der Rohe became president of the Bauhaus, he formally proposed this idea. The design concept of “ less is more ” has a deep influence on the design of later generations. For the desk in the main office area, we use the presentation form of single-layer steel plate structure. We insist on cutting down to the essentials. There are no unnecessary decorations. We keep the core elements and refine them, only leaving the simple and light desk as well as the office supplies.
延伸 Extend
空间最深处办公区，我们将接待沟通区的设计元素与材料使用做了横置与延伸，到访的朋友可以透过面对的落地窗，将室外的车水马龙以及人文景观尽收眼底，弱化小型办公空间枯燥乏味的体验感。办公桌主体使用者，面对入户左侧的艺术镜以及镜中所反射的半身艺术装置《雨》有了更深层次的对话。边侧的柱体在满足桌面支撑的功能性之外，巧妙的避开了使用者视线与卫生间门口相互吸引的尴尬。
In the office area of the space, we extend the design elements and materials of the reception and communication area. Friends who come here can have a panoramic view of the outdoor landscape through the floor-to-ceiling windows, which weakens the dull experience of small office space. The user of the main desk has a deeper dialogue with the art mirror on the left side of the door and the half-length art installation Rain reflected in the mirror. Columns on both side can meet the support function while avoiding the embarrassment of mutual attraction between the user's sight line and the bathroom door.
洽谈沟通区以及两个办公区域是共通空间，当过道纵横交织的艺术幕帘降下来以后，三个空间才被划分为单独的功能区。设计的独特魅力在于它丰富的多样性，框架中打破固有的局限性，创造出无限的可能性。
The communication area and the two office areas are common space. When the art curtain in the corridor is lowered, the three spaces are divided into separate functional areas. The unique charm of the whole design lies in its rich diversity, breaking inherent limitations in the framework while creating infinite possibilities.
